L'atelier aux Couleurs: Plein Air Painting
Tours - Plein Air Instructor,
Joseph Mendez
Awards
Jospeh Mendez is a multiple award winner at the Oil Painters of America,
Salmagundi Club, American Artist Professional League and more. He is
also a signature member of the Oil Painters of America, the California
Art Club, the Plein Air Painters of America and North West Rendezvous.
Biography
Born in Galicia, Spain, Joseph Mendez relates the story of his family's
migration, a modern-day diaspora that led to one-way journeys across the
borders of four nations. "The Spanish Civil War sent my family to Cuba,"
says Joseph in an interview with Art of the West magazine. Then we left
at the beginning of the Castro regime." This was a severe disruption, indeed.
By the time Batista was finally dislodged from Cuba in January 1959, Joseph
had already graduated from the University of Havana, had begun the Famous
Artists course and was working for the local office of an American advertising
agency. After a brief acquaintance with the new regime, however, it was
time to move on again. A short stay in Peru followed, and then in 1962 he
finally arrived in the United States. He was fortunate to be able to continue
working as an artist in his new homeland, first for the Thrifty Drug Store
chain and then for toy maker Mattel Inc.
In the early 1970’s and for ten years thereafter, Joseph used his
free time to take classes from the renowned teacher, Ukrainian-born colorist
Sergei Bongart. "He was a magnificent teacher and a tough disciplinarian,"
the artist recalls. Ultimately teaching was a calling that Joseph would
pursue, as well. Upon retirement in 1987 after 15 years at Mattel, Joseph
was teaching two painting classes in Los Angeles. He was also exhibiting
in galleries and it was this aspect of his emerging fine arts career that
ultimately captured his full attention. Joseph’s subsequent years as an
artist were filled with impressive exhibitions and awards.
A habitual traveler, Joseph does 90 percent of his work on location.
"In commercial art, I was trained to work from photos, but in Sergei's
classes we did everything from life," Joseph comments. "I use photos
to pick up detail; they're too cold and the values are off. When a photograph
is the basis for painting, you have all the time in the world to sit back
with a JB on the rocks and look at the photo. You sit there thinking,
‘well, I can add this little thing here or there, or what about this?'
You don't improve your craft with photos. When you paint from life, you
don't have the time to get pretty or cutey-pie. The light is changing
too fast and you must get the essentials down just as fast. About 95 percent
of the time, I get good results."